Axel Braun’s Brown Sugar

With racial tensions flaring up across the nation, Axel Braun’s Brown Sugar serves as a welcome reminder that the races can come together for a hot time that doesn’t involve heated rhetoric and Molotov cocktails. A no-frills affair, this offering lays it out in black and white, pairing up ebony bombshells with honky hose-slingers. Mahogany-toned enchantress Ana Foxxx is delicious, with long brown stems for legs and an ass that begs to be pounded. Some tattooed douchebag who looks like he came to the set directly from a Sum 41 concert swoops in and buries his stubbly chin between Foxxx’s legs for a taste of her pearlescent pussy. Foxxx is a lithe fucker, going knees-to-shoulders for her drilling, and she chokes down on her partner’s plus-size vanilla stick with aplomb. Anya Ivy bears a tawny skin tone that in less polite times would have been described as high yellow. She boasts irresistible doe eyes, a perfect pair of tits punctuated with nipples that pop like turkey timers when her juices start flowing, and a groin-stiffening stroke-and-slurp blowjob technique. Ivy’s scene is hot enough to make David Duke reach for the lube and wipe himself clean with his Klansman hood afterward. Alas, not all of the peaches on this tree are as juicy and sweet as Foxxx and Ivy—Ashley Pink, with her mannish face and modest milk mounds, is wholly unremarkable—but Brown Sugar is tasty enough to make your mouth water. —P.D.R.